Published: 2015
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This book is the winner of numerous awards
This book is part of a book series called Wordsmith .
This book is aimed at Young Adult readers. The term Young Adult (YA) is used for books which have the following characteristics: (1) aimed at ages 12-18 years, US grades 7-12, UK school years 8-15, (2) around 50-75k words long, (3) main character is aged 12-18 years, (4) topics include self-reflection, internal conflict vs external, analyzing life and its meaning, (5) point of view is often in the first person, and (6) swearing, violence, romance and sexuality are allowed. This book was published in 2015 by Little Island .
Patricia Forde lives in Galway, in the west of Ireland. She has published six books for children, and written two plays, as well as several television drama series for children and teenagers. She has worked as a writer on both English and Irish language soap operas. In another life, she was a primary school teacher and the artistic director of Galway Arts Festival. * For thirty years Steve Simpson has been applying his multi-disciplinary skills to creative projects for a diverse range of clients right across the globe. Steve's innovative, award-winning approach to graphic design, typography and illustration is built on fresh thinking, traditional skills and a healthy dose of fun. Mise agus an Dragun, written by Patricia Forde and illustrated by Steve was shortlisted for the CBI Book of the Year Awards in 2013.
This book is in the following series:
This book has been nominated for the following award:
White Raven Award
This book was recognised by the White Raven Award.
An intriguing speculation about authoritarian futures.
* Kirkus Reviews *
A novel that truly stands apart for its originality and relevance... a book about words, about language, about their power to civilise - and, in the wrong hands, to abuse and dehumanise. For a writer to deal with such themes it is the most basic of requirements that she herself should handle words in a manner which exploits their potential richness and resonance. Forde rises magnificently to the challenge... Forde's novel blends the futuristic with the retrospective, demanding that her readers consider their own language histories and their underlying philosophies. That she does this in the context of an engaging narrative accessible to a young readership is a gratifying bonus.
* The Irish Times *
This book is important because it targets the dangers of global warming and the power of communication, love and expression.
* The Guardian *
Stands out for its imaginative approach and its beautiful and careful use of language. The Ark is a community led by John Noa, who is gradually cutting down the list of words that people can use, believing that it was words which led people into trouble in the first place. It's a vividly rendered allegory drawn with poetic phrasing that will suit older children with an eye for the complex.
-- Philip Womack * The Literary Review *
This gripping story has the dark atmosphere of books such as the Hunger Games series and ends on an intriguing note that might promise a sequel. And that would be another fine thing.
* Inis Magazine *
This post-apocalyptic thriller is full of jeopardy and nail-biting tension and asks fundamental questions about the nature of humanity and the future of our planet. An intelligent, original and gripping read for teens.
* BookTrust UK *
Forde's exploration of language as both weapon and saviour is a noble one, and environmental undertones bolster its power. Pair with Patrick Ness' The Knife of Never Letting Go.
* Booklist *
Fantasy lovers will lap it up!
-- Sarah Webb * Irish Independent *