The "Taming of the Shrew | TheBookSeekers

The "Taming of the Shrew


Sourcebooks Shakespeare

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No. of pages 416

Published: 2008

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'You will experience the words of Shakespeare as you have never before, interpreted by some of the most accomplished actors of our time' Sir Derek Jacobi 'A rare and valuable resource' Andrew Wade Voice Coach, Royal Shakespeare Company The audio CD with this edition of The Taming of the Shrew contains a series of recordings to illustrate how different actors place their own interpretation on the play. Hear superb peformances from Estelle Kohler and Bill Homewood, Peter O'Toole and Sian Phillips, and Frances Barber and Roger Allam as well as narration from Sir Derek Jacobi. The text is illustrated with photographs from notable productions and film adaptations, and takes you behind the scenes with set drawings, costume designs and scene edits, all from original notes. As well as the playtext there are articles and interviews from notable Shakespeare scholars and performers. An invaluable tool for students from GCSE to A level and beyond.

 

 

This book is part of a book series called Sourcebooks Shakespeare .

There are 416 pages in this book. This book was published in 2008 by Bloomsbury Publishing PLC .

Series advisors: David Bevington, Phyllis Fay Horton Distinguished Service Professor in the Humanities at the University of Chicago; Peter Holland, the McMeel Family Chair in Shakespeare Studies at the University of Notre Dame. Text editor: Antonia Forster, Univeristy of Akron, Ohio David Bevington is the Phyllis Fay Horton Distinguished Service Professor in the Humanities at the University of Chicago. Peter Holland is the McMeel Family Chair in Shakespeare Studies at the University of Notre Dame. Rene Weis is Professor of English at University College London and a distinguished editor and biographer of Shakespeare.

 

This book contains the following story:

The Taming of the Shrew

"The Taming of the Shrew" is a comedic play written by William Shakespeare that centers around themes of love, marriage, and the dynamics between men and women.

Act 1: The play begins with a wealthy nobleman named Baptista Minola, who has two daughters: the gentle Bianca and the fiery-tempered Katharina, known as "the shrew." Baptista announces that Bianca cannot marry until Katharina is wed, which creates a challenge, as Katharina's sharp tongue and strong-willed nature have scared away potential suitors.

Act 2: A young man named Lucentio arrives in Padua and instantly falls in love with Bianca. Disguised as a tutor, he woos her under the name "Cambio." Meanwhile, another suitor, Gremio, attempts to court Bianca, and Hortensio, a friend of Lucentio, disguises himself as a music teacher to win her affection. Petruchio, a brash and ambitious man from Verona, arrives in Padua seeking a wealthy wife. Upon hearing of Katharina's wealth, he agrees to marry her despite her reputation as a shrew.

Act 3: Petruchio's unconventional courtship of Katharina begins after their marriage. He uses various strategies to tame her, including denying her food and sleep, acting rudely towards her, and deliberately contradicting her. Meanwhile, Lucentio continues his pursuit of Bianca.

Act 4: While Lucentio and Bianca's relationship progresses smoothly, Petruchio's methods of "taming" Katharina become increasingly outrageous. However, in time, Katharina's sharp tongue begins to soften, and she starts to play along with Petruchio's antics.

Act 5: At a public feast, the couples gather, and Baptista announces that Bianca is now free to marry. Lucentio and Bianca, along with Hortensio and a wealthy widow, all announce their engagements. To prove that Katharina has been tamed, Petruchio places a wager with the other men, claiming that she is more obedient than their wives. When summoned, Katharina surprises everyone by delivering a heartfelt and obedient speech, declaring that a wife's duty is to love and obey her husband.

The play concludes with the reconciled couples dancing and celebrating. Katharina and Petruchio leave the feast last, with Katharina seemingly transformed into a submissive wife, though some ambiguity remains regarding whether her transformation is genuine or a clever performance.

"The Taming of the Shrew" is a controversial play that has been interpreted and debated for centuries due to its portrayal of gender roles and relationships. While it contains comedic elements and amusing situations, modern interpretations often examine the societal expectations placed on women and the dynamics of power within relationships.

This book is in the following series:

Sourcebooks Shakespeare

'First there are accessible and interesting essays about how the plays have been performed and interpreted over the years. Then there is the text, with helpful notes on the facing pages. Finally - and most innovatively - there is a CD at the back, which provides many and various extracts from the play. Useful to anyone studying or teaching Shakespeare at secondary school or college level.' The Stage, (12 April 2007) 'This intriguing series focuses on Shakespeare in performance... The books themselves are packed with information - photographs of key performances, essays on productions, and interviews with actors and directors. Opposite each play text an extensive glossary explains unfamiliar words, and the audio clips are marked alongside corresponding scenes... The CDs reinforce the beauty and power of the language in performance, and will undoubtedly enhance anyone's understanding and enjoyment of Shakespeare's plays, as they were meant to be experienced.' The Good Book Guide, (May 2007) 'This new Shakespeare book and CD brings Shakespeare's plays leaping to life. This innovative format contains text, audio and illustration... This is a revolutionary resource.' Bookseller, Back to School (8 June 2007) Review of Richard III] 'A complete package for anyone wanting to study the play itself, and the performance dimension... It is complemented by an excellent CD which includes narrative by Derek Jacobi set alongside contrasting performances from major productions of the play with some of the greatest stage interpretations of the Bard's work.' Publishing News, Back to School (1 June 2007)