Macbeth": Shakespeare in Performance | TheBookSeekers

Macbeth": Shakespeare in Performance


Sourcebooks Shakespeare

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No. of pages 416

Published: 2007

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The audio CD with this edition of Macbeth contains a series of unique recordings to illustrate how different actors place their own interpretation on the play. Hear Orson Welles in a 1940s recording reciting Macbeth's famous soliloquy 'Tomorrow, and tomorrow, and tomorrow'. Compare that to a contemporary version by Stephen Dillane from 1998. There are also superb performances from Sir Alec Guinness, Simon Russell Beale, Harriet Walter, Fiona Shaw and David Tennant. The text is illustrated throughout with photographs from notable productions including Trevor Nunn's 1976 RSC production with Sir Ian McKellen and Dame Judi Dench, Roman Polanski's 1971 film and Michael Kahn's 2004-5 production at the Shakespeare Theatre Company. The book also takes you behind the scenes with reproductions of set drawings, costume designs and scene edits, including images from the 1937-38 production at the Old Vic starring Laurence Olivier and Judith Anderson. As well as the playtext, there are articles covering a range of topics including 'In Production: Macbeth through the Years' by William Proctor Williams, 'Macbeth in Popular Culture' by Douglas Lanier, 'A Voice Coach's Perspective on Speaking Shakespeare' by Andrew Wade and 'In the Age of Shakespeare' by Thomas Garvey. The Sourcebooks Shakespeare Macbeth is an invaluable tool for students of all ages from GCSE to A Level and beyond.

 

 

This book is part of a book series called Sourcebooks Shakespeare .

There are 416 pages in this book. This book was published in 2007 by Bloomsbury Publishing PLC .

David Bevington is the Phyllis Fay Horton Distinguished Service Professor in the Humanities at the University of Chicago. Peter Holland is the McMeel Family Chair in Shakespeare Studies at the University of Notre Dame. Rene Weis is Professor of English at University College London and a distinguished editor and biographer of Shakespeare. Series advisors: David Bevington, Phyllis Fay Horton Distinguished Service Professor in the Humanities at the University of Chicago; Peter Holland, the McMeel Family Chair in Shakespeare Studies at the University of Notre Dame. Text editor: William Proctor Williams, University of Akron

 

This book contains the following story:

Macbeth

"Macbeth" is a tragic play written by William Shakespeare, exploring themes of ambition, power, guilt, and the corrupting nature of unchecked ambition.

Act 1: The play "Macbeth" opens with three witches, also known as the Weird Sisters, who gather on a heath and prophesy that Macbeth, a brave Scottish general, will become the Thane of Cawdor and eventually the King of Scotland. Intrigued by the witches' words, Macbeth and his friend Banquo encounter messengers from King Duncan, who confirm Macbeth's new title as Thane of Cawdor. This prompts Macbeth to start contemplating the possibility of fulfilling the witches' second prophecy.

Act 2: Driven by his ambition and influenced by his power-hungry wife, Lady Macbeth, Macbeth begins to entertain the idea of murdering King Duncan to seize the throne. As Duncan arrives at Macbeth's castle for a visit, Macbeth hesitates but ultimately succumbs to Lady Macbeth's persuasion and kills Duncan in his sleep. After the murder, Macbeth is plagued with guilt and paranoia.

Act 3: Macbeth becomes king, but his troubles are far from over. Fearful of the witches' prophecy that Banquo's descendants will inherit the throne, Macbeth orders the assassination of Banquo and his son, Fleance. While Banquo is killed, Fleance manages to escape. At a banquet, Macbeth is tormented by the ghost of Banquo, which further intensifies his guilt and paranoia.

Act 4: Macbeth seeks guidance from the witches again and receives more prophecies. They warn him to be wary of Macduff, a nobleman who poses a threat to his rule. Macbeth decides to have Macduff's family slaughtered. Meanwhile, Macduff joins forces with Malcolm, Duncan's son, who has fled to England. Together, they plan to overthrow Macbeth.

Act 5: As Macbeth's tyrannical rule continues, Lady Macbeth is consumed by guilt and descends into madness. She sleepwalks and confesses her involvement in Duncan's murder. Macbeth, who is now desperate and on the verge of despair, learns that an army led by Malcolm and Macduff is approaching to challenge him.

In the final battle, Macbeth fights bravely but realizes that the prophecies are coming true. He encounters Macduff, who reveals that he was born via a Caesarean section, not "naturally" as Macbeth had believed, making him the fulfillment of the witches' prophecy. Macbeth is subsequently slain by Macduff, and Malcolm is proclaimed the new King of Scotland.

The play concludes with Malcolm's ascension to the throne and the restoration of order and justice to Scotland.

"Macbeth" is a tragic play that explores themes of ambition, guilt, and the corrupting influence of power, showcasing the devastating consequences that can arise from unchecked ambition and ruthless pursuit of authority.

This book is in the following series:

Sourcebooks Shakespeare

'First there are accessible and interesting essays about how the plays have been performed and interpreted over the years. Then there is the text, with helpful notes on the facing pages. Finally - and most innovatively - there is a CD at the back, which provides many and various extracts from the play. Useful to anyone studying or teaching Shakespeare at secondary school or college level.' The Stage, (12 April 2007) 'This intriguing series focuses on Shakespeare in performance... The books themselves are packed with information - photographs of key performances, essays on productions, and interviews with actors and directors. Opposite each play text an extensive glossary explains unfamiliar words, and the audio clips are marked alongside corresponding scenes... The CDs reinforce the beauty and power of the language in performance, and will undoubtedly enhance anyone's understanding and enjoyment of Shakespeare's plays, as they were meant to be experienced.' The Good Book Guide, (May 2007) 'This new Shakespeare book and CD brings Shakespeare's plays leaping to life. This innovative format contains text, audio and illustration... This is a revolutionary resource.' Bookseller, Back to School (8 June 2007) [Review of Richard III] 'A complete package for anyone wanting to study the play itself, and the performance dimension... It is complemented by an excellent CD which includes narrative by Derek Jacobi set alongside contrasting performances from major productions of the play with some of the greatest stage interpretations of the Bard's work.' Publishing News, Back to School (1 June 2007)