Hamlet": Shakespeare in Performance | TheBookSeekers

Hamlet": Shakespeare in Performance


Sourcebooks Shakespeare

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No. of pages 416

Published: 2007

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The audio CD this edition of Hamlet contains a series of unique recordings to illustrate how different actors place their own interpretation on the play. Hear Sir Laurence Olivier as Hamlet in 1948 and compare this to Simon Russell Beale's performance in 2003. There are also superb performances from Ellen Terry, John Barrymore, Richard Burton and Emma Fielding. The text is illustrated throughout with photographs from notable productions, including Kenneth Branagh's 1996 film and Michael Almereyda's 2000 version, Simon Russell Beale in New York City and Roger Rees at the Royal Shakespeare Company. The book also takes you behind the scenes with reproductions of set drawings, costume designs and scene edits, including drawings from a 1934 production directed by Sir John Gielgud. As well as the playtext, there are articles covering a range of topics including 'In Production: Hamlet through the Years' by Terri Bourus, 'Hamlet in Popular Culture' by Douglas Lanier, 'A Voice Coach's Perspective on Speaking Shakespeare' by Andrew Wade and 'In the Age of Shakespeare' by Thomas Garvey. The Sourcebooks Shakespeare Hamlet is an invaluable tool for students of all ages from GCSE to A Level and beyond.

 

 

This book is part of a book series called Sourcebooks Shakespeare .

There are 416 pages in this book. This book was published in 2007 by Bloomsbury Publishing PLC .

David Bevington is the Phyllis Fay Horton Distinguished Service Professor in the Humanities at the University of Chicago. Peter Holland is the McMeel Family Chair in Shakespeare Studies at the University of Notre Dame. Rene Weis is Professor of English at University College London and a distinguished editor and biographer of Shakespeare.

 

This book contains the following story:

Hamlet

One dark night, Hamlet, prince of Denmark, sees a ghost. It is his dead father, who claims he was murdered by Claudius, the new king. But did Hamlet really see a ghost, or did he just imagine it? And if he did see a ghost, was it telling him the truth? Hamlet plans to avenge his father by killing Claudius. But the man he stabs isn't Claudius, as he thinks, but his girlfriend's father. So the wrong man dies. So much tragedy, but there is more to come as Hamlet's apparent insanity soon begins to wreak havoc on innocent and guilty alike.

"Hamlet" is a tragic play written by William Shakespeare, centered around themes of revenge, betrayal, madness, and moral dilemmas. The following provides a plot summery.

Act 1: The play opens in Denmark, where the ghost of King Hamlet, the deceased father of Prince Hamlet, is seen wandering the castle grounds. The ghost reveals to Hamlet that he was murdered by his brother, Claudius, who has now married Hamlet's mother, Queen Gertrude, and assumed the throne. Disturbed by this revelation, Hamlet vows to seek revenge for his father's death. He pretends to be mad to disguise his true intentions and to gather information about the circumstances surrounding the king's death.

Act 2: As Hamlet's feigned madness becomes more pronounced, Ophelia, his love interest and daughter of Polonius, the Lord Chamberlain, is caught in the middle of Hamlet's apparent madness and his erratic behavior. Polonius, suspecting that Hamlet's madness is due to his love for Ophelia, reports his findings to King Claudius and Queen Gertrude. The king and queen seek to uncover the reason behind Hamlet's behavior and to protect their own interests.

Act 3: In one of the most famous scenes in the play, Hamlet arranges for a play within the play called "The Murder of Gonzago," which reenacts his father's murder. Hamlet observes Claudius's reaction to the play, confirming his guilt. Hamlet confronts his mother, Gertrude, about her hasty marriage to Claudius and her complicity in the murder. Meanwhile, Polonius, who is spying on Hamlet and Gertrude, is accidentally killed by Hamlet.

Act 4: Laertes, Ophelia's brother, returns from France to find his father dead and his sister driven to madness by her grief. He swears revenge against Hamlet and joins forces with Claudius to plot against him. Hamlet is sent to England by Claudius under the pretense of a diplomatic mission, but Claudius secretly arranges for Hamlet's death. Hamlet discovers the plot and manages to return to Denmark, while Laertes and Claudius scheme to kill Hamlet during a fencing match.

Act 5: In the final act, the climax of the play unfolds during the fencing match. Laertes poisons his sword, and Gertrude accidentally drinks from a poisoned cup intended for Hamlet. In the ensuing chaos, all the major characters are fatally wounded. Hamlet, Laertes, Gertrude, and Claudius all die as the truth behind the murders is revealed. Before his death, Hamlet entrusts his friend Horatio to tell his story and ensure that his legacy lives on.

"Hamlet" is a complex and profound play that delves into the human psyche, exploring themes of revenge, mortality, and the nature of truth. It remains one of Shakespeare's most celebrated and enduring works, captivating audiences with its exploration of human emotions and the intricacies of the human mind.

This book is in the following series:

Sourcebooks Shakespeare

'First there are accessible and interesting essays about how the plays have been performed and interpreted over the years. Then there is the text, with helpful notes on the facing pages. Finally - and most innovatively - there is a CD at the back, which provides many and various extracts from the play. Useful to anyone studying or teaching Shakespeare at secondary school or college level.' The Stage, (12 April 2007) 'This intriguing series focuses on Shakespeare in performance... The books themselves are packed with information - photographs of key performances, essays on productions, and interviews with actors and directors. Opposite each play text an extensive glossary explains unfamiliar words, and the audio clips are marked alongside corresponding scenes... The CDs reinforce the beauty and power of the language in performance, and will undoubtedly enhance anyone's understanding and enjoyment of Shakespeare's plays, as they were meant to be experienced.' The Good Book Guide, (May 2007) 'This new Shakespeare book and CD brings Shakespeare's plays leaping to life. This innovative format contains text, audio and illustration... This is a revolutionary resource.' Bookseller, Back to School (8 June 2007) [Review of Richard III] 'A complete package for anyone wanting to study the play itself, and the performance dimension... It is complemented by an excellent CD which includes narrative by Derek Jacobi set alongside contrasting performances from major productions of the play with some of the greatest stage interpretations of the Bard's work.' Publishing News, Back to School (1 June 2007) 'It's tempting, looking at the vast arrray of editions of Shakespeare plays, to conclude that the last thing the world needs now is a new one. However, this new series of key Shakespeare texts are interesting, exciting and extraordinarily versatile.' Inu Pellet magazine (September 2007)