Dolls are sweet and innocent, right? Not to Jasmine Richards. She's always had a peculiar fear of them. And when her family goes on holiday to a creepy old hotel, Jas finds that her room is filled with antique, very real-looking dolls. The girl tries to fight the feelings of terror that keep her up half the night, but her nightmare is just beginning. Every day, the dolls seem to watch and sneer at her. Are they merely decorations at the hotel, or do they actually live there? Jas tries hard to control her imagination, but these tiny terrors may turn out to be dolls of doom.

 

This book is part of a book series called Phobia .

There are 72 pages in this book. This book was published 2018 by Capstone Global Library Ltd .

Other contributing authors include Neal and Brendan Shusterman, Beth Revis, Cynthia Leitich Smith, Courtney Summers, Kendare Blake, Delilah S. Dawson, Steve Brezenoff, Tom Leveen, Hannah Moskowitz, Blythe Woolston, Trish Doller, Mindi Scott, Margie Gelbwasser, Christine Johnson, E. M. Kokie, and Elisa Nader. Mariano Epelbaum is a Character Designer, illustrator and traditional 2D animator. Working professionally since 1996 in various disciplines of Animation and Illustration where characters that designs tend to be very expressive and original. Currently in art direction on several projects, always trying different styles and techniques. As an animation artist, participated in outstanding productions in Argentina, as Character art director and character designer of Foosball, Argentine-Spanish 3D production directed by Juan Jose Campanella, Garcia Ferre movies Manuelita and Corazon, las alegrias de Pantriste; Micaela (Encuadre SA), Bahia Magica (Bitt Animation), the three films "Dibu" and TV series mi familia es un dibujo (Patagonik film Group), and scenes of the film Ogu y Mampaton ( Hook Up Animation). He has also worked in various animated commercials. In the field of illustration collaborated with Spanish publishers Edebe, Planeta De Agostini, Vicens Vives, Bromera, Imaginarium and Estudio Fenix. He also did work for Alfaguara, El Gato de Hojalata, Pictus, Clasa, Grupo Editorial Norma, Puerto de Palos and Ediciones Urano from Argentina and Santillana from Puerto Rico, United States and UK.