Othello": Shakespeare in Performance | TheBookSeekers

Othello": Shakespeare in Performance


Sourcebooks Shakespeare

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No. of pages 416

Published: 2007

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The audio CD with this edition of Othello contains a series of unique recordings to illustrate how different actors place their own interpretation on the play. Hear Paul Robeson's 1944 recording of Othello's speech to the senate. Compare and contrast Edwin Booth's performance in 1890 with a recording from a modern version made in 2000. There are also superb performances from Paul Scofield, F. Scott Fitzgerald, John Kani and Anton Lesser. The text is illustrated throughout with photographs from notable productions, including Stuart Burge's 1965 movie and The Shakespeare Theatre's 1997-98 season starring Patrick Stewart as Othello. The book also takes you behind the scenes with images of costume designs and set renderings, including examples of set designs from Orson Welles' 1951 production. As well as the playtext, there are articles covering a range of topics including 'In Production: Othello through the Years' by Lois Potter, 'A Voice Coach's Perspective on Speaking Shakespeare' by Andrew Wade and 'In the Age of Shakespeare' by Thomas Garvey. The Sourcebooks Shakespeare Othello is an invaluable tool for students of all ages from GCSE to A Level and beyond.

 

 

This book is part of a book series called Sourcebooks Shakespeare .

There are 416 pages in this book. This book was published in 2007 by Bloomsbury Publishing PLC .

Series advisors: David Bevington, Phyllis Fay Horton Distinguished Service Professor in the Humanities at the University of Chicago; Peter Holland, the McMeel Family Chair in Shakespeare Studies at the University of Notre Dame. Text editor: L. G. Black, Oxford University Rene Weis is Professor of English at University College London and a distinguished editor and biographer of Shakespeare. David Bevington is the Phyllis Fay Horton Distinguished Service Professor in the Humanities at the University of Chicago. Peter Holland is the McMeel Family Chair in Shakespeare Studies at the University of Notre Dame. Series advisors: David Bevington, Phyllis Fay Horton Distinguished Service Professor in the Humanities at the University of Chicago; Peter Holland, the McMeel Family Chair in Shakespeare Studies at the University of Notre Dame. Text editor: William Proctor Williams, University of Akron

 

This book contains the following story:

Othello

Othello is a "noble Moor"", a North African Muslim who has converted to Christianity and is deemed one of the Venetian state's most reliable soldiers. However, his ensign Iago harbours an obscure hatred against his general, and when Othello secretly marries the beautiful daughter of the Venetian senator Brabanzio, Iago begins his subtle campaign of vilification, which will inevitably lead to the deaths of more than just Othello and Desdemona.

"Othello" is a tragic play written by William Shakespeare, centered around themes of jealousy, betrayal, love, and deception. Herein follows an act by act plot summary.

Act 1: The play begins in Venice, where Othello, a respected and noble Moorish general in the Venetian army, has secretly married Desdemona, a young and beautiful Venetian woman. Their marriage faces opposition from Desdemona's father, Brabantio, who believes Othello used witchcraft to win her affections. Othello is summoned to Cyprus to lead the Venetian forces in their battle against the Turks. Desdemona, accompanied by Iago, Othello's ensign, and Cassio, a young and reputable officer, follow him to Cyprus.

Act 2: Iago, harboring resentment against Othello for promoting Cassio over him, devises a plan for revenge. He manipulates Cassio into getting drunk, which leads to a fight and his dismissal from his position by Othello. Iago then convinces Cassio to seek Desdemona's intercession in restoring his position.

Act 3: Iago further fuels Othello's jealousy by planting seeds of doubt regarding Desdemona's fidelity. He cunningly uses a handkerchief, a treasured gift from Othello to Desdemona, to suggest she has been unfaithful. Othello becomes consumed by jealousy and begins to doubt Desdemona's love. He confronts her, demanding to know if she has been unfaithful. Desdemona, innocent and bewildered, protests her loyalty and love to him.

Act 4: As Othello's jealousy intensifies, Iago's manipulations escalate. He plants false evidence and misleading conversations to fuel Othello's suspicions further. Iago also implicates Cassio in Desdemona's alleged infidelity. Othello becomes convinced of Desdemona's guilt and resolves to kill her. Iago, still hidden behind a mask of loyalty, encourages his murderous intentions.

Act 5: In the final act, Othello confronts Desdemona in her bedchamber. Consumed by jealousy, he smothers her to death, despite her protests of innocence. Emilia, Iago's wife and Desdemona's loyal attendant, discovers the truth about Iago's deceptions and confronts him. Iago kills Emilia to silence her, and his treachery is exposed to the other characters. Realizing the depth of his mistake and the truth about Desdemona's innocence, Othello takes his own life. Cassio, who survives an assassination attempt by Iago, ensures that the truth about Iago's villainy is revealed to all. The play concludes with the capture of Iago, and the tragic aftermath of jealousy and deception leaves the remaining characters in despair and mourning.

"Othello" is a powerful and intense play that delves into the destructive power of jealousy and the tragic consequences of misplaced trust. Shakespeare's exploration of human emotions, motives, and the intricacies of human relationships makes it one of his most compelling and enduring works.

This book is in the following series:

Sourcebooks Shakespeare

'First there are accessible and interesting essays about how the plays have been performed and interpreted over the years. Then there is the text, with helpful notes on the facing pages. Finally - and most innovatively - there is a CD at the back, which provides many and various extracts from the play. Useful to anyone studying or teaching Shakespeare at secondary school or college level.' The Stage, (12 April 2007) 'This intriguing series focuses on Shakespeare in performance... The books themselves are packed with information - photographs of key performances, essays on productions, and interviews with actors and directors. Opposite each play text an extensive glossary explains unfamiliar words, and the audio clips are marked alongside corresponding scenes... The CDs reinforce the beauty and power of the language in performance, and will undoubtedly enhance anyone's understanding and enjoyment of Shakespeare's plays, as they were meant to be experienced.' The Good Book Guide, (May 2007) 'This new Shakespeare book and CD brings Shakespeare's plays leaping to life. This innovative format contains text, audio and illustration... This is a revolutionary resource.' Bookseller, Back to School (8 June 2007) [Review of Richard III] 'A complete package for anyone wanting to study the play itself, and the performance dimension... It is complemented by an excellent CD which includes narrative by Derek Jacobi set alongside contrasting performances from major productions of the play with some of the greatest stage interpretations of the Bard's work.' Publishing News, Back to School (1 June 2007)