The Riddle of the Sands | TheBookSeekers

The Riddle of the Sands


Real Reads

,

No. of pages 64

Published: 2013

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Carruthers is looking forward to a relaxing holiday when he sets off for the Baltic Sea. Instead he finds himself at the centre of a complicated and deadly plot. Will Carruthers and his friend Arthur Davies discover why the sinister and mysterious Herr Dollmann is so interested in their little yacht, the Dulcibella? What does Clara Dollmann know about her father's plans? What secret scheme has brought Commander von Bruning of the Imperial German Navy to the East Frisian Islands? Can Carruthers and Davies solve the riddle of the sands?

 

This book is part of a book series called Real Reads .

There are 64 pages in this book. This book was published 2013 by Real Reads .

GEORGE ELIOT was the pen name of Mary Ann Evans (1819-1880), one of Victorian England's pre-eminent writers of both fiction and non-fiction and translator. SARAH WIMPERIS began painting at a very early age as a result of family influences and an inability to spell. She studied fine art at Falmouth School of Art, exhibited with the Portal Gallery, then travelled the world, including China, Russia, Israel and Norway, painting all the way. She returned to Cornwall, raised a lot of children, painted murals for a while, then became a professional illustrator. Since 2008 she has exhibited regularly at the Beside the Wave Gallery in Falmouth, which she now manages. GILL TAVNER was an English Teacher and Head of Department before turning to writing when she had young children of her own. She has also taught English in South East Asia, worked as a personal trainer, been a management trainee in an insurance company, led treks in Africa, run her own business and painted fake tattoos on Blackpool Pleasure Beach. Perhaps it is this variety that makes her such a versatile writer.

This book is in the following series:

Real Reads
Real Reads are retellings of great literature from around the world, each fitted into a 64-page book. The series aims to make classic stories, dramas and histories available to intelligent young readers as a bridge to the full texts, to language students wanting access to other cultures, and to adult readers who are unlikely ever to read the original versions.

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