No. of pages 64
Published: 2020
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"Read to Your Toddler Every Day: 20 Folktales to Read Aloud" by Lucy Brownridge is a charming collection designed to engage young minds through storytelling. This book features a selection of enchanting folktales from various cultures, each thoughtfully chosen for their appeal to toddlers. The stories encourage bonding between caregivers and children, fostering a love for reading from an early age. Vibrant illustrations accompany the texts, enhancing the listening experience and inviting little ones into the magical worlds of imagination and adventure. Ideal for daily reading rituals, these tales promote language development, cultural appreciation, and the joy of storytelling in the early years. [Generated by language model - please report any problems].
This book is part of a book series called Stitched Storytime .
This book is aimed at children up to US kindergarten.
This book has been graded for interest at 1-4 years.
There are 64 pages in this book.
This is a picture book. A picture book uses pictures and text to tell the story. The number of words varies from zero ('wordless') to around 1k over 32 pages. Picture books are typically aimed at young readers (age 3-6) but can also be aimed at older children (7+).
This book was published in 2020 by Frances Lincoln Childrens Books .
Chloe Giordano began to sew in the last year of her illustration degree at the University of the West of England, and since graduating in 2011 she has continued to experiment with freehand embroidery, using sewing thread and hand dyed fabrics to make her work. Read To Your Baby Every Day and Read to Your Toddler Every Day are illustrated with her hand-embroidered artwork. Her clients include Penguin, Vintage Books, Bloomsbury, Liberty, and the BFI. Originally from Buckinghamshire, she now lives and works in York. Lucy Brownridge is an author and editor of children's books based in London. She writes books for children about history of art, history, animals and science. She has an MA in history of art from the Courtauld Institute of Art and a BA in history of art from the University of Bristol.
This book is in the following series: